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fishnet cinema

  • About
  • Opera Glasses
    • Magnifying Cinema
      • White Girls, ‘Bitter’ Black Women, and Save the Last Dance
      • The Problem with Female-Led Superhero Films Has Always Been Men
      • “mother!” – 5 Things to Consider
      • IT’s All Good (For the Most Part)
      • Bright and the Failure of “Color-blind” Narratives
      • The Moralistic Mistakes of Trainwreck
      • Jennifer Jason Leigh’s Legacy of Longing
    • Magnifying TV
      • History in a Cell: A Look Back at WWE’s Historic 2016 Main Event
      • Beyonce, the Grammys and The Stigma of Black Motherhood
      • Remembering SpongeBob and Looking To the Future
      • Colorism, Christian Misogynoir and Chewing Gum
      • The Problem with Apu: A Great Start to an Overdue Conversation
      • I Love Transparent, But It Should End
  • Cinema
    • Reviews
      • Classic Cinema: Gaslight (1944)
      • The Florida Project
      • A Wrinkle In Time
      • Review: Beast (2018)
      • Review: Support the Girls
      • TIFF Review: Vita & Virginia
      • Review: The New Romantic
    • Best and Worst
      • The 10 Best Films of 2016
      • The 10 Worst Films of 2016
      • The 10 Best Films of 2017
      • The 10 Worst Films of 2017
  • Television
    • Girls: “American Bitch”
    • Facebook Watch has a winner with ‘Sorry For Your Loss’
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Jourdain Searles

NYU Tisch alum. Writer. Stand-up comic.
Jourdain Searles
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The 10 Worst Films of 2016

by Jourdain SearlesJanuary 16, 2017January 16, 2017
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The 10 Best Films of 2016

by Jourdain SearlesJanuary 12, 2017June 30, 2018
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In Praise of Wonder Woman (1975)

by Jourdain SearlesDecember 20, 2016June 14, 2017
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Editor’s Pick: Waitress (2007)

by Jourdain SearlesDecember 14, 2016December 14, 2016
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Editor’s Pick: Sabrina (1954)

by Jourdain SearlesDecember 6, 2016August 5, 2017
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American Honey, Race and Film’s Fascination with the White South

by Jourdain SearlesOctober 24, 2016February 1, 2019
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Suicide Kale

by Jourdain SearlesOctober 7, 2016December 15, 2016
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